ROXY-Word used to describe someone or something as being sexy, hot, fine and fun
-sweet and funny girl. Always makes you laugh.
-The most beautiful girl in the world. The second you meet her you know you will never forget her.
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★ discovered on imgfave.com (social image bookmarking)
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- give her one of your t-shirts to sleep in.
- leave her...
Kendall: Collectively as a group, our guilty pleasure is food.
Logan: We could be in a bad mood but if you feed us then it’s like alright! Good to go.
![xmother-monster:
GOVERNMENT HOOKER. Gregorian pop chants, pervy robot voices (courtesy of Gaga’s bodyguard Peter), window rattling beats and the extraordinary line: “Put your hands on me, JF Kennedy”.
Gaga: “The humour is that a machine tells me what to do and I happily do it as long as I get fucked. It relates to how our government fucks us over, but it makes fun of the plastic popstar - “I’ll do anything as long as you fuck me and pay me”.
ROAD TO LOVE. With a soaring melody, nods to a Springsteen and an industrial techno production represent the blueprint for ‘Born This Way’. A unicorn is mentioned.
Gaga: “The sax in this - and in ‘Hair’ and in ‘Edge Of Glory’ - is not just there for no reason. I grew up listening to so much Bruce Springsteen and Billy Joel, so in a way it represents my innocence”.
BLOODY MARY. A dark, pulsing and atmospheric, almost funereal electroballad, one of several tracks, including ‘Judas’, with religious references.
Gaga: “I believe that Mary Magdalene was both fully divine and fully human. She has to be strong when Jesus fulfills the prophecy to die for everyone’s sins, but she still has the moment of humanity where she’s upset to let him go. She had to be a superstar, but she must have cried too.”
MARRY THE NIGHT. Peak-era, Whitney Houston-esque pop euphoria up top, with churning techno grinding underneath.
Gaga: “This is about me going back to New York. I wrote this about the courage it took for me to say ‘I hate Hollywood, I just wanna live Brooklyn and make music.’”
AMERICANO. Told as a love story between Gaga and a girl from LA, this is an acid house-fuelled Mexican themed footstomper.
Gaga: “This was my first proper collaboration with Fernando [Garibay] and White Shadow. Labels had been telling Fernando to tone down his Mexican influences, but here we really brought them out. It was when Prop 8 was overturned in California. The immigration law was passed in Arizona, houses were being raided for immigrants, some of whom had been here for 20 years. America was once the land of the free, and now we’re telling everyone to get the fuck out”.](http://24.media.tumblr.com/tumblr_lk6k2lxXjI1qfis5vo1_500.jpg)
GOVERNMENT HOOKER.
Gregorian pop chants, pervy robot voices (courtesy of Gaga’s bodyguard Peter), window rattling beats and the extraordinary line: “Put your hands on me, JF Kennedy”.Gaga: “The humour is that a machine tells me what to do and I happily do it as long as I get fucked. It relates to how our government fucks us over, but it makes fun of the plastic popstar - “I’ll do anything as long as you fuck me and pay me”.
ROAD TO LOVE.
With a soaring melody, nods to a Springsteen and an industrial techno production represent the blueprint for ‘Born This Way’. A unicorn is mentioned.Gaga: “The sax in this - and in ‘Hair’ and in ‘Edge Of Glory’ - is not just there for no reason. I grew up listening to so much Bruce Springsteen and Billy Joel, so in a way it represents my innocence”.
BLOODY MARY.
A dark, pulsing and atmospheric, almost funereal electroballad, one of several tracks, including ‘Judas’, with religious references.Gaga: “I believe that Mary Magdalene was both fully divine and fully human. She has to be strong when Jesus fulfills the prophecy to die for everyone’s sins, but she still has the moment of humanity where she’s upset to let him go. She had to be a superstar, but she must have cried too.”
MARRY THE NIGHT.
Peak-era, Whitney Houston-esque pop euphoria up top, with churning techno grinding underneath.Gaga: “This is about me going back to New York. I wrote this about the courage it took for me to say ‘I hate Hollywood, I just wanna live Brooklyn and make music.’”
AMERICANO.
Told as a love story between Gaga and a girl from LA, this is an acid house-fuelled Mexican themed footstomper.Gaga: “This was my first proper collaboration with Fernando [Garibay] and White Shadow. Labels had been telling Fernando to tone down his Mexican influences, but here we really brought them out. It was when Prop 8 was overturned in California. The immigration law was passed in Arizona, houses were being raided for immigrants, some of whom had been here for 20 years. America was once the land of the free, and now we’re telling everyone to get the fuck out”.
(via cuteprincessako)
- Good morning texts.
- Late night phone calls.
- Falling asleep on the phone.
- “Babe, guess what?”. “What?”. “I love you”. (everyone does it)
- I miss you/I love you random phone calls.
- Being grabbed by the waist.
- Kisses, especially on the forehead.
- 127817392 photos together.
- You guys fight, you walk away… He comes back for you.
- He’s always there for you, through thick & thin.
